10 times rock bands drastically changed their sound

The idea of ​​changing your sound to suit your artistic needs isn’t that new at this point. Anytime you’ve been in the fold for awhile, you’ve got to want to explore something beyond the same riff you’ve played over and over again. Then again, that could help give fans a warning first.

Instead of just immersing us in a new sound, most of these rockers have dived headfirst into their new sound, whether their audience is ready or not, and the results are truly visible. That doesn’t mean the end result has to be horrible, though. In fact, some of these albums stand out as modern classics that deserve to be celebrated among the best of their genre. However, when you pull a bait and change like that, you’re going to end up with some really disgruntled diehards in the mix.

For as many fans as you could gain with the new sound, you’re bound to have as many to call it the worst thing you’ve ever done. Hell, in the most egregious cases it ends up killing your career in the long run. However, rock is all about taking risks at the end of the day, and those acts certainly gave us something to talk about.

The Deep Purple that we know and love today has become synonymous with the genesis of heavy metal. Long before Black Sabbath really started to gain traction, Ritchie Blackmore’s direct riffs helped set the stage for what the more metallic side of the rock spectrum could be. Then again, if you’ve seen Purple’s debut, you’ve probably been put in a loop with In Rock.

Up to this point, Blackmore and Jon Lord’s work had been firmly anchored in the band jam scene, alongside actors like Vanilla Fudge. For every decent song like Hush, there were a handful of songs that came down to flirting with the more eclectic sides of rock like jazz and classical. Once you heard the opening strain of Speed ​​King, the true face of Deep Purple started to rear its head.

Functioning as a more professional version of Led Zeppelin, In Rock is a bit of everything for a rock fan, from the creation of a fierce rocker like Speed ​​King to one of the most lyrical performances Ian Gillan has ever had. never performed in the mid section of Child. On time. Since most artists take a big risk when they edit it, songs like these are proof that sometimes the search for different styles ends up paying off in the long run.

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